Category Archives: Arts & Culture

Ruth Russell’s ‘Ireland’ at Harvard library

I’ve written several pieces about Ruth Russell, the Chicago Daily News correspondent who in 1919 covered the early months of the Irish War of Independence. Notably, she lived in the Dublin slums to report about poor women and children. On her return to America, Russell expanded her newspaper dispatches into the 1920 book What’s the matter with Ireland? As an advocate for Irish independence, she protested with other women outside the British Embassy in Washington, D.C., and testified before the American Commission on Conditions in Ireland.[1]See Beginnings; Correspondent; Activist; Witness; Afterward; and Ruth Russell remembered in stone … 57 years later

Harvard’s copy of the book.

Russell’s 103-year-old book is available online. Until recently, the only hard copy I’d seen was requested from storage at the Library of Congress in Washington. But I found What’s the matter with Ireland? while exploring the stacks at Harvard’s flagship Harry Elkins Widener Memorial Library.

Harvard acquired the book on Oct. 7, 1920, according to the date stamp on the copyright page. Borrowers checked out the book 10 times during its first year in the library, as recorded by the due dates stamped on a schedule pasted to the inside back cover. These dates are shown below with select Irish-related news and other content from that day’s Boston Globe. The mix of local and international events offers a thumbnail sketch of events during the last year of the war as Harvard students or faculty read Russell’s book.

  • Nov. 20, 1920: John Derham, town commissioner of Balbriggan, and Francis Hackett, associate editor of The New Republic, testified at the American Committee on Conditions in Ireland hearings in Washington, D.C. Russell testified to the commission on Dec. 15, 1920. (See image of the Globe’s story below.)
  • Jan. 8, 1921: The censorship trial of Capuchin chaplain Fr. Dominic O’Connor, charged with making statements “likely to cause disaffection to His Majesty,” opened in Dublin. Convicted and sentenced to prison later that month, he was released on general amnesty upon ratification of the Anglo-Irish Treaty in January 1922.
  • Jan. 21, 1921: Lord Mayor of Cork Donal O’Callaghan, a stowaway to America after the December 1920 British rampage in the city, said he would surrender to U.S. immigration authorities.
  • Feb. 9, 1921: British Prime Minister David Lloyd George said he offered Ireland a greater measure of home rule than Gladstone or Asquith. “But they won’t take it. … They must have an Irish Republic, an Irish Army, an Irish Navy. They won’t get it.”
  • Feb. 19, 1921: The Moore & McCormack cargo line advertised a Feb. 23 sailing from Boston to Belfast, Cork, and Dublin. The service, which began in September 1919 from Philadelphia, was citied by Sinn Féin as an example of Ireland’s commercial independence. The route was discontinued in 1925.[2]See An American reporters in 1920 Ireland: Industry.
  • March 16, 1921: Fr. John W. Meehan of Castlebar, County Mayo, continued to address local groups interested in Irish independence and conditions in the country. He arrived in Boston two months earlier.
  • April 4, 1921: A front-page Associated Press report said that “competent observers” believed prospects for peace in Ireland had brightened since St. Patrick’s Day.
  • May 11, 1921: More than 300 delegates representing 146 councils of the Massachusetts State Council of the Knights of Columbus adopted a resolution favoring immediate recognition of the Republic of Ireland. … “Pure linen” handkerchiefs imported from Belfast were on sale at 29 cents each at Chandler & Co. on Tremont Street.
  • Oct. 4, 1921: The Associated Press reported that “numerous newspapers writers and photographers” were permitted to observe an Irish Republican Army battalion in the Wicklow Mountains south of Dublin. “Throughout Ireland drilling and inspections of this kind have been proceeding since the truce was signed (in July),” the story said.
  • Oct. 25, 1921: Éamon de Valera’s message to Pope Benedict XV regarding “formally proclaimed” independence of Ireland stirred “the first real crisis” in negotiations toward a peace agreement with Great Britain, the AP reported. The Anglo-Irish Treaty was signed Dec. 6, 1921.

It’s unclear if any of the Harvard borrowers paid the 5 cents per day fine for returning the book after the stamped due date. Interest in Russell’s book waned after the treaty. The next three due dates were May 19, 1931; Sept. 18, 1946; and May 28, 1955. The book remained shelved for 41 years, then was checked out three more times in April and May 1996.

Subsequent activity–if any–was recorded on electronic library systems and cannot be retrieved, according to the librarian who checked out the book for me. I was curious whether there was activity at the centenary of the Irish revolution and 100th anniversary of the book’s publication.

The Boston Globe published this story about Russell’s Dec. 15, 1920, testimony before the American Commission on Conditions in Ireland. The paper did not review her book, ‘What’s the matter with Ireland?’, released earlier in the year. The book was added to Harvard’s library in October 1920.

The online Quercus Rare Books offers an original hardcover inscribed by Russell for $250. It says: “To the President of the Irish Republic Eamon de Valera, with best wishes from a citizen of the United States.” Below the inscription is the stamp from de Valera’s library. De Valera provided a Jan. 29, 1920, letter praising Russell’s work, which appears as front matter in the book. Quercus also offers an unsigned first edition in “very good plus” condition (below “Near Fine” and “Fine”) for $100.

The back pages of Russell’s book contained advertisements for three other contemporary Irish titles from publisher Devin-Adair: The Invincible Irish, by J.C. Walsh; Why God Loves The Irish, by Humphry J. Desmond; and The Irish Rebellion of 1916 And Its Martyrs–Erin’s Tragic Easter, a collection of essays by eight writers. While it’s great these titles are available online, nothing beats the feel and smell of on old book pulled from the library shelf.

References

‘Always Ireland’ is a lovely, modern guide to Erin

My wife wants to bring Always Ireland: An Insider’s Tour of the Emerald Isle, on our March trip to you-know-where, our first return since the COVID pandemic. “No way,” I say. “That book is too beautiful, and too heavy, to carry in our luggage.”

So we let author and County Wicklow native Justin “Jack” Kavanagh have the last word. He describes the new 336-page hardcover from National Geographic as an “inspirational travel book,” a next-generation guide for an age when nearly all of us carry smartphones that put all the practical details at our fingertips.

“This is more of a dreamer’s guide to Ireland,” Kavanagh told me during a Feb. 1 zoom from Philadelphia, where he divides his time with his native country. “This is the kind of book that sits on your coffee table for maybe six months before you want to go. You can just dip in and out of it.”

The book offers more than 200 half- to two-page vignettes of Ireland’s natural, cultural, and historical attractions. And the island’s dearest treasure—its people—are highlighted in a feature called “Irish Voices,” which introduces readers to historian Diarmaid Ferriter; harp maker Kevin Harrington; singer-songwriter Christy Moore; wild animal conservationist David O’Connor; and nomadic Irish Traveler Helen Riley, among many others.

The “Great Irish Drives” and “In the Know” sidebars offer more conventional suggestions on route planning and where to sleep and eat. “Irish Gardens” and “Taste of Ireland” highlight flora and food (and drink!), respectively.

The book is sectioned into the five “newly reimagined regions” of contemporary Irish tourism: the Ancient East; Munster & the South; the Wild Atlantic Way; Ulster & Northern Ireland; and Offshore Ireland. While it’s still grand to know your grandparents’ or great grandparents’ county and townland of origin, that’s not how modern visitors want to see Ireland, Kavanagh says.

And because Always Ireland is produced by National Geographic, the 300 photos are gorgeous and perfectly illustrate his smooth and informative prose. Kavanagh is an authoritative voice from an iconic source. He has worked as a writer and editor for National Geographic International Editions, overseeing earlier guide books about Ireland, Cuba, Japan, New York City, and other destinations. He says there is a growing recognition these conventional publications are being “fast-tracked to obsoletion” by technology.

New approach

Always Italy, the first book of this new approach, was released in March 2020, just as the world shuttered and shuddered from COVID. These books lean slightly toward the first-time visitor, says Kavanagh, who also leads Nat Geo’s “Ireland: Tales and Traditions” tours.

Because he has split his life between America and Ireland, Kavanagh says he aims to provide readers and travelers with both insider and outsider perspectives, with “what is expected and what is unexpected.” He learned a few things himself in researching the book.

I couldn’t resist asking Jack two obvious questions: his favorite spot in Ireland, and what attraction does he most regret the island has lost over its many centuries of history?

                                     Jack Kavanagh

“Glendalough,” came his first answer. And why not? He grew up just a bicycle ride away from the sixth century monastery founded by St. Kevin. “To me it’s the center of the world,” he says. “It’s a spiritual home, a place of rest. There’s some ancient energy there.”

To the second question, the music devotee answered the centuries of Irish compositions that were lost or never came to be, because the patronage system of the Gaelic chieftains ended with Anglo-Irish rule. The penal laws meant Irish music went underground, so while we are left with various tunes by itinerant musicians such as the legendary blind harpist Turlough O’Carolan, we’ll never know what might have been if Ireland’s earls had not been put to flight. But while much of that pre-eighteenth century music is silenced forever, there’s still plenty of traditional Irish music to hear played in pubs and other venues, as celebrated in the book.

Unexpected magic

Whether you pack Always Ireland or not, (it’s also available as an e-book) the real key to visiting Kavanagh’s homeland is the willingness to leave behind hurried, regimented schedules and open your soul to the possibilities of interacting with the people and places on its lovely pages … and those that are not.

“Ireland is not an A to B to C to D kind of place,” he says. “The magic is when you go around the corner and find something unexpected; not where you are going to stay tonight and what you are going to eat. That’s what you get in Ireland that you don’t get in a lot of places in the world.”

That was true when visitors carried pocket guidebooks and folding maps; it remains so for those who carry smartphones.

***

A guest post by Kavanagh will publish here a little later. MH 

‘Banshees of Inisherin’ & the Irish Civil War

The Banshees of Inisherin, a dark comedy about the estrangement of two friends living on a sparsely-populated Irish island, has received three Golden Globe awards and now appears favored to win a few Oscars. Colin Farrell won in the best comedy actor category, and the Martin McDonagh-directed film was honored as best comedy/musical and best screenplay. (Update: The movie was blanked at the Academy Awards.)

The fictional story, set in 1923, contains several references to the real life Civil War on the nearby mainland. The war started soon after Ireland won a measure of independence through a treaty with the United Kingdom. Ireland became a “free state” similar to Canada, not the full “republic” fought for in the Irish war of independence, 1919-1921. Separate legislation created the political partition of Ireland and Northern Ireland, which remained part of the U.K. The treaty split Irish brothers-in-arms into the civil war, which lasted from June 1922 to May 1923.

As Vox’s Alissa Wilkinson wrote, the feud between the two movie friends Colm (Brendan Gleeson) and Pádraic (Farrell) “works on its own terms, but it’s also a startlingly violent fight between men who are basically brothers, a fight that has a logic to it and yet is heartbreaking precisely because of the depth of history between them. It’s the conflict in microcosm.”

I would add two points:

1) The screenplay does not suggest that one of the friends is a republican “irregular” opposed to the treaty and the other a Free Stater who supported the deal. Their feud is personal, not political.

2) Pádraic says he doesn’t know what the fighting is about on the mainland. Though presented as a “dull” and uneducated character, this could be the film’s biggest fiction. When explosions and gun fire can be heard across the water, the island’s inhabitants surely understood what the fighting was about. We see regular boat service bring mail, supplies, and a priest to celebrate mass and hear confessions. The islanders are not that isolated.

  • Quick aside: the real life film locations are Achill Island, County Mayo, and Inishmore, one of the three Aran Islands, County Galway.

At one point in the movie Pádraic looks at the calendar and realizes it is April 1. He wonders if Colm’s coldness is a cruel April Fools’ Day joke. It is not. Using the date as a marker, I found this description of the civil war in that day’s 1923 issue of The Boston Globe:

Tragedy is still monarch in Ireland, more firmly enthroned today than ever before in the country’s distressful history. The daily chronicle is a repetitive catalogue of outrage and destruction, of executions and killings, differing only from the world horrifying reign of the English ‘Black and Tans’ in the fact that the perpetrators are now exclusively Irish, and that Ireland’s present day Calvary is inflicted not by foreign invaders but by her own sons and daughters. It is a heart-breaking, tear-compelling experience for an American, particularly one of Irish ancestry … The staccato of machine guns, the ping of rifles, the phut of revolvers, detonations of land mines and bombs, the glare of incendiary fires, with their toll of life and property have become as routine as the succession of day by night. Twenty-four hours without a series of destructive incidents or outrages would be regarded almost as epochal.[1]”Former Boston Journalist Wonders If Gov Al Smith Couldn’t Help Ireland Find Happy Bridge To Peace”, The Boston Globe, April 1, 1923.

Colin Farrell, left, and Brendan Gleeson.                                                                                            Searchlight Pictures  

References

References
↑1 ”Former Boston Journalist Wonders If Gov Al Smith Couldn’t Help Ireland Find Happy Bridge To Peace”, The Boston Globe, April 1, 1923.

Best of the Blog, 2022

Welcome to my tenth annual Best of the Blog, a roundup of the year’s work. July marked our milestone tenth anniversary, with more than 900 total posts since 2012. I appreciate the support of regular readers, especially email subscribers. (Join at right.) Thanks also to the archivists and librarians who assisted my research during the year, whether in person or remote. I visited collections at Princeton University, Harvard University, Boston College, and Boston Public Library for the first time, and returned to archives at the Catholic University of America, Washington, D.C., and the Dioceses of Pittsburgh. … Special thanks to Professor Guy Beiner, director of the Irish Studies Program at BC, for his warm welcome this fall.

I added two dozen posts to my American Reporting of Irish Independence series, which totals more than 140 entries since December 2018, including several from guest contributors. This year I began circling back to earlier years of the Irish revolution. Highlights included:

FREELANCE STORIES & PRESENTATIONS:

I was pleased to publish stories with several new platforms (*) this year and delighted to give a virtual presentation to the Carnegie Museums of Pittsburgh:

‘Luminous In Its Presentation’:
The Pittsburgh Catholic and Revolutionary Ireland, 1912-1923
*Gathered Fragments: Annual journal of the Catholic Historical Society of Western Pennsylvania (Publishes late December 2022/early January 2023)

The Long Road to ‘Redress’ in Ireland
History News Network, (George Washington University), Oct. 30, 2022

My Pilgrimages to St. Patrick’s Churches
*Arlington Catholic Herald & syndicated by *Catholic News Service, March 11, 2022

The Irish Revolution in Pittsburgh
*Carnegie Museums of Pittsburgh, Feb. 17, 2022, presentation linked from headline

Watch the presentation from the linked ‘Irish Revolution in Pittsburgh’ headline above, or from here.

At 50th Anniversary of “Bloody Sunday” Peace Feels Less Certain
History News Network, (George Washington University), Jan. 30, 2022

Cheers and Jeers for Ireland: Éamon De Valera’s Alabama Experience
*Alabama Heritage Magazine, Winter 2022

GUEST POSTS:

Thanks to this year’s four guest contributors, detailed below. Journalists, historians, authors, researchers, and travelers to Ireland are welcome to offer submissions. Use the contact form on the Guest Posts landing page to make a suggestion.

Journalists recall coverage challenges during Northern Ireland Troubles: Daniel Carey is a PhD student at Dublin City University. His thesis examines the working lives of former journalists and editors in Ireland.

Pro-Treaty delegation in Pittsburgh, May 1922: Dr. Anne Good Forrestal, a former lecturer in Sociology at Trinity College Dublin, is the granddaughter of Seán and Delia MacCaoilte. In spring 1922, he was part of the pro-Treaty delegation that visited America, including a stop in Pittsburgh. This story is based on one of his letters from the city.

Detailing the Crosbies of North Kerry: Michael Christopher Keane is a retired University College Cork lecturer and author of three books about the Crosbies, leading and often controversial landlord families in County Kerry for over 300 years.

Periodicals & Journalism in Twentieth-Century Ireland: Felix M. Larkin and Mark O’Brien have edited two volumes of essays that focus on periodicals as a vehicle for news and commentary, rather than literary miscellany.

BEST OF THE REST: 

These stories were the most popular outside the “American reporting” and “Guest posts” series:

YEARS PAST:

Highlights of earlier work found here:

YEAR AHEAD:

I plan to spend the first half of 2023 in Cambridge, Mass., as my wife completes her Nieman fellowship at Harvard. I will continue to participate in BC’s Irish Studies Program. I also hope to finish my book on how American reporters covered the Irish revolutionary period as the “decade of centenaries” concludes in May with the 100th anniversary of the end of the Irish Civil War. God willing, I hope to travel to Ireland for the first time since shortly before the pandemic.

Best wishes to all,
Mark

Assessments of Ireland, November 1922

The Nov. 24, 1922, firing squad execution of Anglo-Irish Treaty opponent Erskine Childers became one of the most high-profile events of Ireland’s civil war, then in its fifth month. Another six months of internecine conflict lay ahead. But as the 26-county Irish Free State and partitioned, six-county Northern Ireland governments formalized in December, the Irish began to consider life beyond the revolutionary period that had started a decade earlier. The reflections below–two from native Irish writers–appeared in U.S. newspapers in November 1922:

Seumas MacManus

The Donegal-born MacManus published ‘Story if the Irish Race’ in October 1921, then returned home in summer 1922 for the first time in eight years. He wrote:

MacManus

“One of the very first sights that interested me as well as one of the most pleasant–and also one of the most important for Ireland’s future–was the marvelous flock of children that seemed to spring from the ground wheresoever I went over the face of the country. … I was delighted to see the bands of little ones that dotted the roads–to see them and to hear them–for Irish children do not believe in locking their sweet joy within their tiny bosoms.”

“Of the many vital educational changes the greatest and most valuable is that which establishes and entrenches the Irish language in its place in practically every school in the country. … Though the Gaelic movement made great advances during the last twenty years, its progress within the next three years will be marvelous. There will be very few people of the younger generation who will not be Irish speakers and Irish readers. … The re-establishing of this rich and beautiful language again, giving a new orientation to the Irish mind, will be a spiritual blessing of profound significance.”

“The curse of landlordism, which had for ages blighted the nation’s life, is now almost entirely uprooted. The great majority of the small holders of the country now own their land without dispute. And this undisputed possession of the land that was theirs and their forefathers through centuries, has given them a stimulus  that transforms them. People are energetic who had been lethargic, are ambitious who had been crushed, and prosperous who had been poverty stricken. They now dress well who formerly could not afford a new coat once in five years, and they eat well, and they pleasure themselves and know the joy of living to which they had once been strangers.”[1]”Stork’s Busiest Days In The Emerald Isle”, New York Times, Nov.19 1922.

Irish culture goes on

“Americans undoubtedly gather the impression that Dublin is a city of murder and arson and that all of the old Irish culture has been subsumed in the clatter of and smoke of war. But this is not so. Irish culture goes on. A little circle of Irish intellectuals meet three nights a week to discuss literature, Irish history and Irish economics, and follows the trends and progress of the world. Often these meetings are held while the rat-tat-tat of machine guns continues in the streets. … A bit of American tinge is given to these sessions by occasional visits from American correspondents, some of whom are studying the intellectual side of Ireland. The war may go on, but Irish culture doesn’t die.”[2]Daniel O’Connell of the Hearst-owned International News Service, Nov. 24, 1922.

Padraic Colum

The Longford-born Colum published some of his earliest poetry in Arthur Griffith’s ‘United Irishman’ and was active in the Gaelic League and Abbey Theater before the revolutionary period. He emigrated to America in 1914, but traveled home frequently, including 1922. These excerpts are from two pieces:

Colum

“The salient thing about Ireland is that the country holds together. … No one feels this orphaned government is in real peril–the anti-governmental forces are felt as an inconvenience, an expense and an irritant, but they are not now felt as a danger. Mind you, there is no enthusiasm for the government or the Free State that is about to come into existence. … There was enthusiasm for the treaty last December but all zest has since been knocked out of the people. The Irish remember they are not clear of the British Empire.”

“It seems odd to speak of settlement and reconstruction in a country whose main activity is civil war; it seems odd to talk of reconstruction in a city where the children on the street play with toy revolvers and keep up games of taking prisoners and doing Red Cross services. It seems odd to talk of settlement and reconstruction in such a country and such a city. Nevertheless, the mood of the people makes it palpable that the epoch of revolution is past and that the only thing that will stir them again is reconstruction and the proper ordering of their affairs.”[3]”Ireland’s Epoch of Revolution is Ended, Says Padraic Colum; Now Comes Here Reconstruction” The Boston Globe, Nov. 12, 1922.

“Ireland is learning in many directions. She is learning to organize and operate an army; she is learning how to rebuild a police force and magistracy; she is learning what the elements of a constitution are; she is learning about parliamentary procedure; she is even learning what the price of civil disturbance may be. Above all, she is learning to do without England–that England was a symbol of injustice, rapine and atrocity. She has seen now what fearful blows Irishmen can deal at Irishmen and what injustices and evil-dealing can take place in an Ireland that is without a Dublin Castle. Ireland, in fact, is loosing her England ‘complex’ and soon she will be able to get about her business without any particular reference to her great and much distracted neighbor–a consummation devoutly to be wished for!”[4]”Literally ‘The Boys’ Rule Ireland”, New York Tribune, Nov. 19, 1922.

References

References
↑1 ”Stork’s Busiest Days In The Emerald Isle”, New York Times, Nov.19 1922.
↑2 Daniel O’Connell of the Hearst-owned International News Service, Nov. 24, 1922.
↑3 ”Ireland’s Epoch of Revolution is Ended, Says Padraic Colum; Now Comes Here Reconstruction” The Boston Globe, Nov. 12, 1922.
↑4 ”Literally ‘The Boys’ Rule Ireland”, New York Tribune, Nov. 19, 1922.

Selling Irish history & politics books: Hackett & Creel

In November 1922 journalist Francis Hackett wrote a letter to his brother, Edmond Byrne Hackett, to complain about the poor sales of The Story of the Irish Nation, which The Century Co. had published in March. “The Irish book sold 1,143 copies. Awful,” the author wrote. “Two people could help to sell it. One is George Creel, who sold his own book and knows the machinery. The other, Miss Lucile Erskine, worked to sell Ireland for Ben Huebsch.”[1]Francis Hackett to Byrne Hackett, Nov. 16, 1922, in Brick Row Book Shop records (New York, N.Y.), 1913-2015, Box 63, Folder 1. The Grolier Club. Assistance and digital scans provided July 18, 2022, … Continue reading

Ben Huebsch in 1918 passport photo.

Huebsch, a New York City publisher, released Hackett’s Ireland, A Study in Nationalism in 1918, a year before Creel’s Ireland’s Fight for Freedom arrived from Harper & Brothers. Many similar books competed for the attention and dollars of American readers during Ireland’s revolutionary period. Author and critic Edmond Lester Pearson included both the Hackett and Creel books in his November 1919 roundup of Irish titles for the Weekly Review. He described Hackett’s book as a “moderate” account of contemporary conditions, while Creel’s was a “vehement attack upon England,” paraphrasing a review in the New York Times.[2]“Ireland”, The Weekly Review, Nov. 15, 1919. See “Mr. Creel’s View on Matters Connected with Ireland’s Fight for Freedom”, The New York Times, Aug. 10, 1919.

As with today’s instant political books, the success or failure of this genre usually depends on a combination of reviews and advertising, the author’s personal promotion, and how quickly or slowly new developments age the content between the covers. Creel and Hackett are good examples. I’ll take the former first.

U.S. President Woodrow Wilson sent Creel to Ireland in February 1919 after Sinn Féin candidates elected to the British Parliament in December 1918 instead convened as Dáil Éireann in Dublin. Creel had just finished his duties as head of the Committee for Public Information, the Great War propaganda arm of the American government. His report to Wilson said the Irish separatists would accept some form of dominion status, but only if granted within the next few months. Otherwise, Creel insisted that hardline republican sentiment would take hold.[3]Francis M. Carroll, American opinion and the Irish question, 1910-23 : a study in opinion and policy, Dublin : New York, Gill and Macmillan ; St. Martin’s Press, 1978, p. 196.

George Creel in 1917.

Creel, an American journalist before he took the Wilson administration post, serialized his views about Ireland through the New York Sunday American, and an article in Leslie’s weekly. Ireland’s Fight for Freedom debuted in July 1919. The author described the 250-page book, “this little volume,” as designed to “furnish the facts upon which an honest and intelligent answer” could be found to the Irish question.[4]George Creel, Ireland’s Fight for Freedom, Harper & Brothers Publishers, New York, 1919, p. xiv.

Creel became “one of the more unlikely Irish apologist,” historian Francis M. Carroll has written. As part of the book promotion, Creel spoke at Irish Progressive League meetings. But he also continued to support Wilson, the League of Nations, and criticized several Irish American leaders.[5]American opinion, p. 144.  This drew an attack from the New York City-based Gaelic American, which republished Creel’s Leslie’s piece, then blasted it as “an absurd and fantastic misrepresentation of the Irish movement in America.”[6]“George Creel Attacks Irish American Leaders”, The Gaelic American, Aug. 16, 1919, p 3.

A Study in Nationalism

The Hackett brothers each emigrated from Kilkenny at the turn of the 20th century. As Francis pursued a journalism and literary career, Byrne became a bibliophile, eventually opening shops in New York City and near the campuses of Yale and Princeton universities in Connecticut and New Jersey, respectively. Both brothers corresponded with Ben Huebsch, whose papers are held at the Library of Congress. Letters from Francis, the younger sibling, date to 1907, when he was a reporter and editorial writer at the Chicago Evening Post.

Ireland: A Study in Nationalism developed when Francis returned home in 1912-13 to care for his ailing father. It took him years to complete. He wrote to Huebsch from Kilkenny:

I have completed no work yet. Time dissolves like snow in Ireland. The hours are like flakes falling into a river. They disappear with an appalling softness.[7]F. Hackett to B Huebsch, Nov. 11, 1912, from 20 Patrick St., Kilkenny, Ireland, in Ben Huebsch Papers, Library of Congress.

Hackett nevertheless gave his publisher an assessment of Ireland two years before Parliament passed the Government of Ireland Act, then immediately suspend it due to outbreak of world war on the continent:

Home Rule is taken for granted already, and the Nationalists are tired of it all. Ireland is in a bad way with the Catholics in control of education and with no conscious about it. … Catholicism is ruining us. It favors our tendency to follow the line of least resistance, to repress and to negative. Ireland is comparatively crimeless, comparatively harmless. It gets drunk, men and women, and it backbites a lot, but it is negatived (sic) by the church.

Economically, the land acts favor the farmer, but the farmer is abysmally ignorant and conservative. He is Ireland, and his soul will have to be ripped up, plowed, harrowed, before anything can happen. And it will be a long fight.[8]Ibid.

When Hackett finally delivered the manuscript to Huebsch, the author wrote:

This book, finished since conscription was enacted (January 1916, in Britain) has been in hand for four years. It’s aim is to tell Americans the facts in the Irish case, the explanation of those facts, and a way of reconstruction. Besides being critical, it aims to be impartially informative, so that the Americans may judge the case for itself, on the merits.[9]Undated, unaddressed page with chapter headings similar to those in published book. The handwriting is consistent with other letters from F. Hackett, though I am not a handwriting expert. Huebsch … Continue reading

Huebsch did not publish Ireland until 1918. The reason for the delay is unclear, though it might have been related to the April 1916 Rising in Dublin, which left Hackett disenchanted.[10]Thomas J. Rowland, “The American Catholic Pres And The Easter Rising” in Ireland’s Allies: American and the 1916 Easter Rising, Miriam Nyhan Grey, ed., University College Dublin … Continue reading At last, he dedicated the book to his late father, “who loved and served Ireland.” The author soon began lecturing about Ireland in Chicago, Boston, and other cities. “In fact, demand for addresses on the subject are so numerous that were it not for his duties as an editor at the New Republic, Mr. Hackett could spend most of his time on the platform,” Publisher’s Weekly reported.[11]”Personal Notes”, The Publisher’s Weekly, April 12, 1919, p. 1011.

Other Ireland books

As noted above, the market for Irish books was crowded. In his 1919 roundup, Pearson also identified as pro-nationalist P. S. O’Hegarty’s Sinn Fein, an Illumination, (Maunsel, 1919); Francis P. Jones’s History of the Sinn Fein Movement and the Irish Rebellion of 1916, (Kenedy, 1917); and Shane Leslie’s The Irish Issue in its American Aspects (Scribner, 1917), “a brilliant discussion by a moderate Sinn Feiner.” (Leslie was pro-home rule, but not a Sinn Feiner.) For the “British and Unionist point of view,” Pearson recommended Phillip G. Cambray’s Irish Affairs and the Home Rule Question, (Murray, 1911) and Ian Hay’s The Oppressed English, (Doubleday, 1917).

But “for one book, if you can read but one,” the reviewer recommended Edward R. Turner’s Ireland and England in the Past and Present, (Century, 1919). In Pearson’s view, the University of Michigan professor of European history “tried to write an impartial study of the whole question. … He truly says that in America the whole question is usually discussed by extremists, and, of course, extremists will not like his book.”

True enough, as Pearson’s Weekly Review piece spread more widely through daily newspaper syndication, Turner’s book was savaged by the Irish National Bureau, the Washington, D.C.-based propaganda operation of the Friends of Irish Freedom. The Bureau published a 16-page pamphlet that declared the purpose of Turner’s book was:

…to induce American people to take the views of a certain class of English imperialist, to induce them to look kindly on a surrender of all those principals and purposes for which they poured out blood and treasure in the late war, to lead them to look with favor on English world-hegemony. In the pages of this book liberty, self-determination, independence seem to be matters for contempt, for ridicule, for things loathsome and to be avoided.[12]Daniel T. O’Connell, “Edmund Raymond Turner of the University of Michigan: Apostle and Apologist of Reaction,” Irish National Bureau, Washington, D.C., December 1919.

Two years later Turner engaged in a series of U.S. newspaper editorial page “debates” with Mary MacSwiney, sister of hunger strike martyr Terence MacSwiney, as she toured America on behalf of the Irish republic. The professor dodged the challenge of a live platform confrontation with the activist.[13]Joanne Mooney Eichacker, Irish Republican Women In America, Lecture Tours, 1916-1925 (Dublin: Irish Academic Press, 2003) pp. 116, 121. See “The Irish Problem Is Debated”, The Cincinnati … Continue reading

Hackett’s second book

In 1920, more than a year after the first Dáil and the war in Ireland growing more brutal, Hackett released an “Irish Republic Edition” of Study in Nationalism. While he originally favored dominion home rule, his later editions “bent the argument to support independence,” Carroll has written.[14]American opinion, p. 236. Hackett cited Creel’s book in the bibliography of his Irish edition. That summer, Hackett returned to Ireland for a reporting trip with his wife, Danish writer and illustrator Signe Toksvig. They witnessed British police and military atrocities and other impacts of the war.

Francis Hackett in 1935.

When they arrived back in America, Hackett wrote an October 1920 syndicated newspaper series and articles for the New Republic based on his observations. “A great change has taken place in the morale of the Irish people since I last visited here in 1913,” he wrote. “The pre-war Ireland is gone, never to return.”[15]“Erin Prosperous Writes Hackett”, Boston Post, Oct. 5, 1920. Hackett and his wife also testified before the pro-nationalist American Committee on Conditions in Ireland in November 1920.

By spring 1921, shortly before the truce, Hackett was thinking about a new Irish book. He wrote to Huebsch with a proposal to repurpose some content from A Study in Nationalism:

I don’t want to urge you to take it, and I can understand your feeling disinclined to do it, but if Ireland is petering out I want you to let me use whatever of the material I can and see if I can’t get out another book, and take my chance somewhere else. This won’t effect my feelings about you as publisher and as friend, but I feel I’m a fool not to sow another Irish crop–if necessary in fresh ground.[16]F. Hackett to B Huebsch, May 4, 1921, Huebsch papers.

Hackett’s second Ireland book, Story of the Irish Nation, took shape as a 1922 series for the New York World. He detailed the long arc of the island’s troubled history rather than a rehash of his 1920 reporting and public testimony. He mailed another letter to Huebsch about getting $2,000 from the World, and he promised to repay a $500 debt to the publisher. Hackett also revealed his plans to turn the series into the second Ireland book:

I have decided to give the history to the Century Company. I have made no contract with them as yet but they want it. They are willing to give me all foreign rights and a flat 15%, and are willing to get behind it in a commercial way. I am going to try them on this in the hope we will clean up enough money to be able to go to Denmark (his wife’s homeland).”[17]F. Hackett to B Huebsch, Jan. 28, 1922, from New York City, Huebsch papers.

Century published Story of the Irish Nation in March. Reviewers generally praised the book that summer, including a full-page feature in the New York Times by American writer and diplomat Maurice Francis Egan.[18]”Happy Times and Dragon’s Teeth in Ireland”, The New York Times Book Review and Magazine, June 18, 1922. By November 1922, when Hackett wrote to his brother, conditions in Ireland were much different than when the book was published. The Irish Civil War, sparked by the Dáil’s split over the Anglo-Irish Treaty, erupted after the release. Arthur Griffith and Michael Collins both died in August, and IRA “irregulars” and Free State troops committed atrocities at least as worse as during the war against Britain.

Given the fratricide and the Irish Free State constitution set to take effect in December 1922, Francis suggested to Byrne that Story of the Irish Nation “might begin to move.” He lamented that Century, his new publisher, “has no invention, but is faithful and plodding.” He also believed, “The Catholics, the K. of C., the A.O.H., are the people who would buy my history if they ever got started.”[19]Francis Hackett to Byrne Hackett, Nov. 16, 1922, in Grolier Club archives. “K. of C.” is Knights of Columbus. “A.O.H.” is Ancient Order of Hibernians.

But Francis Hackett knew better. Only days before writing to his brother, he mailed a letter to Huebsch. Hackett wrote wrote: “My Irish history fell in between the Republic and Free State squarrel (sic) and got mashed to nothing.”[20]F. Hackett to B. Huebsch, Nov. 2, 1922, in Huebsch Papers.

***

See my American Reporting of Irish Independence series, which I am currently developing into a book. 

References

References
↑1 Francis Hackett to Byrne Hackett, Nov. 16, 1922, in Brick Row Book Shop records (New York, N.Y.), 1913-2015, Box 63, Folder 1. The Grolier Club. Assistance and digital scans provided July 18, 2022, by Meghan R. Constantinou, librarian, and Scott Ellwood.
↑2 “Ireland”, The Weekly Review, Nov. 15, 1919. See “Mr. Creel’s View on Matters Connected with Ireland’s Fight for Freedom”, The New York Times, Aug. 10, 1919.
↑3 Francis M. Carroll, American opinion and the Irish question, 1910-23 : a study in opinion and policy, Dublin : New York, Gill and Macmillan ; St. Martin’s Press, 1978, p. 196.
↑4 George Creel, Ireland’s Fight for Freedom, Harper & Brothers Publishers, New York, 1919, p. xiv.
↑5 American opinion, p. 144.
↑6 “George Creel Attacks Irish American Leaders”, The Gaelic American, Aug. 16, 1919, p 3.
↑7 F. Hackett to B Huebsch, Nov. 11, 1912, from 20 Patrick St., Kilkenny, Ireland, in Ben Huebsch Papers, Library of Congress.
↑8 Ibid.
↑9 Undated, unaddressed page with chapter headings similar to those in published book. The handwriting is consistent with other letters from F. Hackett, though I am not a handwriting expert. Huebsch Papers.
↑10 Thomas J. Rowland, “The American Catholic Pres And The Easter Rising” in Ireland’s Allies: American and the 1916 Easter Rising, Miriam Nyhan Grey, ed., University College Dublin Press, Dublin, 2016, p. 294.
↑11 ”Personal Notes”, The Publisher’s Weekly, April 12, 1919, p. 1011.
↑12 Daniel T. O’Connell, “Edmund Raymond Turner of the University of Michigan: Apostle and Apologist of Reaction,” Irish National Bureau, Washington, D.C., December 1919.
↑13 Joanne Mooney Eichacker, Irish Republican Women In America, Lecture Tours, 1916-1925 (Dublin: Irish Academic Press, 2003) pp. 116, 121. See “The Irish Problem Is Debated”, The Cincinnati Post, Feb. 10, 1921, and other papers.
↑14 American opinion, p. 236.
↑15 “Erin Prosperous Writes Hackett”, Boston Post, Oct. 5, 1920.
↑16 F. Hackett to B Huebsch, May 4, 1921, Huebsch papers.
↑17 F. Hackett to B Huebsch, Jan. 28, 1922, from New York City, Huebsch papers.
↑18 ”Happy Times and Dragon’s Teeth in Ireland”, The New York Times Book Review and Magazine, June 18, 1922.
↑19 Francis Hackett to Byrne Hackett, Nov. 16, 1922, in Grolier Club archives. “K. of C.” is Knights of Columbus. “A.O.H.” is Ancient Order of Hibernians.
↑20 F. Hackett to B. Huebsch, Nov. 2, 1922, in Huebsch Papers.

Remembering An Gorta Mor … as hunger persists

This memorial is a short walk from where I live in Cambridge, Mass.

Twenty-five years ago this summer Irish President Mary Robinson dedicated what press reports described as the first memorial in America to An Gorta Mor, the Great Hunger of the mid-19th century. The recognition came at the 150th anniversary of “Black ’47”, the worst year of the Irish famine. A few months earlier Robinson dedicated Ireland’s National Famine Memorial in County Mayo.

“I wish we could say as a people that in a world of plenty there would be no famine,” Robinson told 1,000 onlookers at Cambridge Common, next to the Harvard campus, across the Charles River from Boston.[1]”1st U.S. Memorial to Irish Famine”, Daily News, New York, N.Y., as reported by Reuters. Two views of the sculpture are seen above and below.

A list of more than 140 famine memorials worldwide shows a simple plaque-on-stone memorial was dedicated in 1995 in Bergen County, New Jersey. Still, 1997 marked a boom in more artistic representations of the deaths of 1 million Irish and emigration of 1 million others. The Irish Famine Memorial in downtown Boston was unveiled 11 months after the one in Cambridge.  At least three more have been added in greater Boston since then.

There are also an estimated 828 million people who experience hunger every day; far too many in a world of plenty.

This post was corrected to reflect the New Jersey memorial.

Mary Robinson paraphrased these words in her 1997 unveiling speech.

References

References
↑1 ”1st U.S. Memorial to Irish Famine”, Daily News, New York, N.Y., as reported by Reuters.

Letters reveal Samuel D. McCoy’s Irish literary connections

This post continues my review of the Samuel Duff McCoy papers at Princeton University. It is part of my American Reporting of Irish Independence series, which I am expanding into a book. MH

***

UPDATE, May 25, 2023:

The 12-page, typescript James Stephens (under James Esse) titled “If You Have Not Been To Connacht” that is referenced in the original post below is an edited version of his essay “Saluting Maeve, Queen of Connacht, Queen of Hearts, Queen of the Fairies.” It once belonged in the collection of bibliophile and philanthropist James A Healy, a New York stockbroker. Birgit Bramsbäck cited this collection in her monograph, James Stephens: A Literary and Bibliographical Study, first published in 1959.[1]Birgit Bramsbäck, James Stephens: A Literary and Bibliographical Study, Norwood Editions, 1975. Reprint of 1959 edition published by Lundequist, Upsula. Issued as no. 4, Upsula Irish Studies. Thanks … Continue reading Healy died in 1975.

The first seven lines of the “Maeve” manuscript are in ink, the remainder in pencil and “profusely revised,” according to my review and an earlier published description.[2]Richard Cary, “James Stephens at Colby College” in Colby Library Quarterly, series 5, no.9, March 1961, p.224-253. “Maeve” description p. 238. The manuscript is inscribed at the end, “James Stephens / Cafe Napolitaine / Boui. des Italiennes / Paris / 14 Sep. 1921.”[3]Ibid, and noted by Bramsbäck. As noted below, efforts were made to published the story in America.

The approximately 5,000-word story is about Connacht, and primarily about Galway at “the first week of the truce” (July 11, 1921), according to the version in the McCoy papers. Bramsbäck quoted Stephens’s description of poor people being harassed by British troops in the west of Ireland. I have bolded one word from the typescript in the McCoy collection that differs from the manuscript quoted by Bramsbäck :

These stories can be multiplied and multiplied but it is asking (among) the poor one seeks for them, for it is the poor who pay. They are true not only of Ireland but of every country where backs have grown accoustomed to bowing and where the art of advertising his misfortunes has not been taught to the simple man, indeed, to consider misfortune as constant and compliance as a waste of time is the culture of the poor, and lends to him a fortune in distress which would bring a sense of shame to every person of a livelier intelligence or an easier situation.

Stephens’s papers are scattered among many locations. “Saluting Maeve” is held at Colby College in Waterville, Maine, which I visited on May 25. 2023.

ORIGINAL POST, July 14, 2022:

When he wasn’t publicly detailing Ireland’s war-related humanitarian needs in 1921, American journalist Samuel Duff McCoy privately promoted Irish arts and letters. At least the Irish urged him to.

McCoy had a literary background beyond his 20 years of working at Washington, D.C., New York City, and Philadelphia newspapers, plus a turn as Red Cross publicity director during the Great War. At Princeton, he was a student editor at the Nassau Literary Magazine. In 1915 he co-founded the journal Contemporary Verse and regularly contributed prose and poetry to national magazines.

During two 1921 trips to Ireland, McCoy had contact with several Irish writers and book dealers, as revealed in letters to him. Full details of the relationships are unclear, but the letters sketch efforts to bring the work of Daniel Corkery and James Stephens to American readers. McCoy’s papers also contain what appears to be an unpublished Stephens short story about Connacht.

Daniel Corkery

McCoy and his American Committee for Relief in Ireland colleagues established their headquarters at the Shelbourne Hotel in Dublin. Patrick O’Daly (Pádraig Ó Dálaigh) of Talbot Press Limited wrote to McCoy soon after the delegation’s mid-February 1921 arrival.

“I have just had a note from a friend of ours, Daniel Corkery, author of ‘The Hounds of Banba,’ in which he mentions your name,” O’Daly wrote. “Do you not think it would be a good thing if we could have this book published in America? It seems to us, at least, that the present time ought to be kind of favourable when Ireland, and matters relating to Ireland, are so much in the public mind.”[4]Samuel McCoy Papers, 1868-1964, Series 3, Correspondence B-Z, Folder 9. O’Day to McCoy, March 8, 1921.

Corkery (1878-1964) began writing short stories and plays in his 20s while working as a teacher. He also played the cello and dabbled in painting. Following the success of his debut collection, A Munster Twilight, in 1916, Talbot Press published The Hounds of Banba in 1920.[5]”Daniel Corkery” in the online Dictionary of Irish Biography, October 2009.

From McCoy Papers, Princeton University.

Banba is a poetic name for the spirit of Ireland in an earlier age; one of a divine trio of eponyms along with Ériu and Fódla.[6]Online Oxford Reference. The hounds are the island’s occupiers, the British police and military. Corkery dedicated the book’s nine stories about nationalist revolutionaries to “The Young Men of Ireland.”

O’Daly asked McCoy to meet “at your convenience.” He also enclosed, at Corkery’s request, he wrote, the 1920-21 catalogue of Talbot Press, 89 Talbot St., Dublin, which listed The Hounds of Banba. The 28-page booklet also included John Butler Yeats’s Essays: Irish and American. “The stories are of the present day, dealing with the adventures of men ‘on the run’ and other works in the Sinn Fein Movement,” read the description. (McCoy’s papers also include the April 1920 catalogue of Maunsel & Co., Ltd., 50 Lower Baggot St., Dublin, and the “No. 1” 1920 catalogue of The Irish Book Shop, Limited, 45 Dawson St., Dublin. These items are not associated with letters.)

Recognize this signature? 

An undated, handwritten letter to McCoy by a correspondent with a mysterious signature says: “I understand from Mr. Corkery that you’ve expressed to him your interest in the publishing of his books.”[7]McCoy Papers, Correspondence Unidentified, Folder 13. Unidentified correspondent to McCoy, undated. The correspondent, who acknowledged a thank you note from McCoy for providing unspecified help to the American Committee, was chiefly interested in his assistance to re-issue Edward Bunting’s (1773-1843) Irish music catalogue.

It’s unclear from McCoy’s papers if he met O’Daly. Corkery’s papers at University College Cork contain several 1921 letters from O’Daly and Talbot Press regarding efforts to find a U.S. publisher for The Hounds of Banba. McCoy is not named in the finding guide descriptions, though possibly referenced in the letters. The New York publisher B. W. Huebsch issued the book in spring 1922.

McCoy used the book title–without reference to Corkery–in the opening segment of his 10-part series, “The Lads Who Freed Ireland,” syndicated from January 1922 in U.S. newspapers. McCoy wrote, “… the world gazes, dumbfounded, at the Hounds of Banba today. The first has become last. Have we, the powerful, what Ireland has shown us?”[8]”White Heat/Chapter 1” of “The Lads Who Freed Ireland”, Minneapolis (Minn.) Morning Tribune, Feb. 6, 1922, via United Features Syndicate.

That summer, Corkery’s story “Egan O’Rahilly” (1670-1726) appeared in The Celtic Outlook, the literary journal that succeeded The Irish Press, Philadelphia, weekly newspaper.[9]See my “On ‘The Irish Press’, ‘Celtic Outlook’, and Villanova digital.” He later devoted a chapter to the Irish language poet in his book The Hidden Ireland.

E. Byrne Hackett

McCoy returned to America in April 1921 to continue his work with the American Committee for Irish relief, including the release of its “Distress in Ireland” report and an unsuccessful request the U.S. State Department distribute the money.[10]See my “American visitors describe ‘Distress in Ireland,’ April 1921. Carroll, F. M. “The American Committee for Relief in Ireland, 1920-22.” Irish Historical Studies, vol. 23, … Continue reading He steamed back to Ireland that summer, mixing his committee duties with traditional journalism, including two pieces for Leslie’s Weekly.[11]”George: A Letter to King George Concerning Colonel George”, June 11, 1921, and “How Belfast Greets Royalty,” Aug. 13, 1921. Kilkenny native and U.S. antiquarian bookstore owner Edmond Byrne Hackett wrote to McCoy at the Standard Hotel in Dublin on Oct. 22, 1921, from his New York office. He acknowledged receipt an article by James Stephens about Connacht.

“It will give me pleasure to attempt to market it, and I am sending it first of all to The Century as I happen to know that the editor is interested in the present status of affairs in Ireland,” reads an unsigned, typewritten copy.[12]McCoy Papers, Correspondence A, Folder 12. Hackett to McCoy, Oct. 22, 1921.

E. Byrne Hackett                (Martin Dostál, Geni.com)

Hackett (1879-1953) was the fifth son of Dr. John Byrne Hackett, the Kilkenny coroner. The son was educated at Clongowes Wood College, County Kildare, and St. Francis College, Sussex, England, then emigrated to the United States in 1899. In America, he worked as a salesman at Doubleday Page & Company in New York from 1901-1907, and as manager of publishing at Baker & Taylor Company from 1907-1909. He served as director of the Yale University Press, New Haven, Conn., soon after its founding in 1908, and established the Brick Row Book Shop in that city in 1915.[13]Compiled from E. Byrne Hackett papers, Yale University; “Byrne Hackett and His Bookshops“, The Publisher’s Weekly, Oct. 1, 1921, p.1182; “E. Byrne Hackett Dies In … Continue reading

Byrne Hackett also was the brother of journalist and author Francis Hackett (1883-1962), who emigrated in 1900. Francis began his career as a beat reporter in Chicago but later switched to writing editorials and literary criticism. He became a founding editor of The New Republic magazine in 1914. In summer 1920, he returned to Ireland and detailed the war atrocities he witnessed for the magazine and in a six-part series for the New York World, which syndicated the work to other papers three month’s before McCoy’s “Lads” series. In November 1920, Francis testified before the American Commission on Conditions in Ireland. It seems more likely that McCoy was influenced by, rather than unaware of, Francis Hackett’s 1920 Irish reporting and commission testimony, given his correspondence with Byrne Hackett.[14]See Part 1 and Part 2 of my “Two Irish immigrant journalists return home, 1920” posts.

A second letter to McCoy from Byrne Hackett in the Princeton archive is handwritten and undated. It probably preceded the typed letter, most likely from late summer or early fall 1921.

“I am very sorry again to have missed you and James Stephens. I have only this minute got back from Kilkenny (one unreadable word) with some kinsfolk.”[15]McCoy Papers, Correspondence B-Z, Folder 15. Hackett to McCoy, Undated.

Hackett wrote he was in London buying books for the new Brick Row Book Shop at 68 1/2 Nassau Street in Princeton, N.J., which followed the summer 1920 opening of a second store in New York City. “It promises to do good work down at Princeton as has been done in New Haven for some time,” Hackett wrote of the third store.

This image illustrated the Brick Row Book Shop story in the Yale Banner and Pot Pourri, 1922 Year Book. It was not described as the New Haven, New York, or Princeton stores, or anyplace else.

The Princeton store opened in October 1921 and was soon described in Yale’s alumni weekly:

Commodious quarters consisting of reading and display rooms, as well as the main store, have been provided. The reading room has been fitted with comfortable lounges and chairs, and there prospective buyers are assured of an open fire, quite, and access to any book that the store has. The policy of fostering interest in good reading and of so arranging matters that anyone may browse without the necessity of buying was sure to meet with approval from the first, and the shop has been well filled with students since the day of the opening.[16]”The Brick Row at Princeton”, The Yale Alumni Weekly, Nov. 25, 1921, p. 250.

Hackett, who received an honorary Master of Arts degree from Yale in 1914, also teased McCoy about his college background: “You did not tell me you were a Princeton man,” he wrote.[17]Degree from Note 9, quote from Note 11.

James Stephens

James Stephens

Stephens (1880-1950) should not be be confused with the same-name Fenian leader (1825-1901). The author also wrote under the pseudonym James Esse. In his mid-20s, Stephens began writing for United Irishman, later Sinn Féin, and other papers edited by Arthur Griffith. These nationalist publications were often suppressed by the British government. In the second installment of his “Lads” series, McCoy quoted Stephens talking about Griffith :

” ‘His worst trouble, in those days,’ James Stephens to me, with a twinkle in his eye, ‘was thinking up new names for his paper. He used to lay awake nights, thinking up new names for it, he did so.’ “[18]”The Smiling Swordsman/Chapter 2” of “The Lads Who Freed Ireland”, Minneapolis (Minn.) Morning Tribune, Feb. 7, 1922, via United Features Syndicate.

McCoy also relayed a story–unattributed to Stephens, Griffith or anyone else–of the two men strolling down Grafton Street late one evening early in the revolutionary period.  A pair of “young rowdies” twice knocked Griffith’s hat off of his head. Without a word, he removed his glasses and struck a blow “that started from Griffith’s pacifistic shoulders and ended on the point of one of the young rough’s jaw, with the impact of a ton of brick.” Griffith and Stephens then continued their conversation from the point of interruption, according to McCoy’s telling.

Arthur Griffith

As Stephens was writing for Griffith, Irish writer and artist George Willian Russell, known by the pseudonym AE, introduced him to Dublin literary circles. In 1916, Stephens observed the fighting around St. Stephen’s Green at Easter week. His instant book, The Insurrection in Dublin, “is regarded as the most vivid account by a contemporary observer of the changing moods and scenes of Dublin during the rising,” according to the Dictionary of Irish Biography.

Whatever efforts Byrne Hackett might have made to place Stephens’s Connacht story, the piece did not appear in The Century. The magazine’s November 1921 issue featured an interview with Russell, who complimented Stephens, Austin Clarke, and John Millington Synge as among the best practitioners of modern Irish verse.[19]”The Opinions of AE“, The Century Magazine, Vol. 103, No. 1, November 1921, pgs. 3-9. The Dial literary magazine, another American journal, reviewed the U.S. release of Stephens’s Irish Fairy Tales, published the previous year in Ireland.

In October 1922, The Century published Stephens’s “The Outlook for Literature, With Special Reference to Ireland.” The eight-page assessment of the post-war cultural and political landscape included this passage:

… during the last five years the national act of Ireland has been so real that it has achieved what older minds considered to be impossible, and has achieved by methods which the official and logical intellect, if its advice had been sought, could only have considered as infantile. It is the good fact of life that the infant wins always, and I think that Ireland awakens from her profound sleep as the youngest race now active in the world, and the best fitted to accept possible modifications with the curiosity and good humor of a brave young person.[20]”The Outlook for Literature“, The Century Magazine, Vol. 104, No. 6, October 1922, pgs. 811-181.

Stephens also wrote Arthur Griffith: journalist and statesman, a tribute to his former editor, after the Sinn Féin founder died Aug. 12, 1922, due to several health complications.

Connacht story 

The McCoy papers at Princeton contain a 12-page typescript with the byline of James Esse.[21]Samuel McCoy Papers, 1868-1964, Ireland, Conflict With Great Britain, 1921, American Committee for Relief in Ireland, Box 6, Folder 1. The piece is titled “If You Have Not Been To Connacht.” The word “Publicity” is handwritten in pencil in the top right corner.

The piece begins:

If you have not been to Connacht it is unlikely that a verbal description will assist you to realise the wonderful country. Many visits are necessary before the unearthly beauty, and, at times, unearthly radiance of that ancient kingdom become apparent to the traveller. A run through leaves one with a somewhat bewildering recollection of rocks, but when Connemara is recalled in the solitudes of ‘afterwards’ you may discover that you think of rocks with an affection you had never before dared to chance on stony ground.

The piece ends with a variation of the first sentence: “But if you have not been to Connemara it is unlikely that a verbal description will help you to realise the wonderful country.” My emphasis of the differences.

It appears this story was never published in America or Ireland. There are collections of Stephens’s papers at the New York Public Library , Kent State University (Ohio), Trinity College Dublin, and Stanford University Libraries, in addition to Colby. The TCD collection contains a 1926 letter to Stephens from McCoy, who expresses concern about the writer’s heath, saying he had “the same illness” five years earlier.[22]Stephen’s papers, MS 10408/26/1464, Trinity College Dublin, as relayed by July 16, 2022, email from Manuscripts & Archives Research Librarian Ellen O’Flaherty.

Connemara, County Galway.                                                                                                                      ©Tourism Ireland

References

References
↑1 Birgit Bramsbäck, James Stephens: A Literary and Bibliographical Study, Norwood Editions, 1975. Reprint of 1959 edition published by Lundequist, Upsula. Issued as no. 4, Upsula Irish Studies. Thanks to Colin Smythe at Colin Smythe Limited, who pointed me to this book, which I reviewws at the Library of Congress.
↑2 Richard Cary, “James Stephens at Colby College” in Colby Library Quarterly, series 5, no.9, March 1961, p.224-253. “Maeve” description p. 238.
↑3 Ibid, and noted by Bramsbäck.
↑4 Samuel McCoy Papers, 1868-1964, Series 3, Correspondence B-Z, Folder 9. O’Day to McCoy, March 8, 1921.
↑5 ”Daniel Corkery” in the online Dictionary of Irish Biography, October 2009.
↑6 Online Oxford Reference.
↑7 McCoy Papers, Correspondence Unidentified, Folder 13. Unidentified correspondent to McCoy, undated.
↑8 ”White Heat/Chapter 1” of “The Lads Who Freed Ireland”, Minneapolis (Minn.) Morning Tribune, Feb. 6, 1922, via United Features Syndicate.
↑9 See my “On ‘The Irish Press’, ‘Celtic Outlook’, and Villanova digital.”
↑10 See my “American visitors describe ‘Distress in Ireland,’ April 1921. Carroll, F. M. “The American Committee for Relief in Ireland, 1920-22.” Irish Historical Studies, vol. 23, no. 89, 1982, pp. 30-49. Whelan, Bernadette, United States Foreign Policy and Ireland: From Empire to Independence, 1913-29, Four Courts Press, Dublin, 2006, See Ch. 8, “Harding, Irish Relief Aid And Recognition”, pp. 326-327.
↑11 ”George: A Letter to King George Concerning Colonel George”, June 11, 1921, and “How Belfast Greets Royalty,” Aug. 13, 1921.
↑12 McCoy Papers, Correspondence A, Folder 12. Hackett to McCoy, Oct. 22, 1921.
↑13 Compiled from E. Byrne Hackett papers, Yale University; “Byrne Hackett and His Bookshops“, The Publisher’s Weekly, Oct. 1, 1921, p.1182; “E. Byrne Hackett Dies In Hospital”, The Central New Jersey (New Brunswick) Home News, Nov. 11, 1953; and “Well Known Irishman’s Death in U.S.”, Irish Examiner, Nov. 18, 1953.
↑14 See Part 1 and Part 2 of my “Two Irish immigrant journalists return home, 1920” posts.
↑15 McCoy Papers, Correspondence B-Z, Folder 15. Hackett to McCoy, Undated.
↑16 ”The Brick Row at Princeton”, The Yale Alumni Weekly, Nov. 25, 1921, p. 250.
↑17 Degree from Note 9, quote from Note 11.
↑18 ”The Smiling Swordsman/Chapter 2” of “The Lads Who Freed Ireland”, Minneapolis (Minn.) Morning Tribune, Feb. 7, 1922, via United Features Syndicate.
↑19 ”The Opinions of AE“, The Century Magazine, Vol. 103, No. 1, November 1921, pgs. 3-9.
↑20 ”The Outlook for Literature“, The Century Magazine, Vol. 104, No. 6, October 1922, pgs. 811-181.
↑21 Samuel McCoy Papers, 1868-1964, Ireland, Conflict With Great Britain, 1921, American Committee for Relief in Ireland, Box 6, Folder 1.
↑22 Stephen’s papers, MS 10408/26/1464, Trinity College Dublin, as relayed by July 16, 2022, email from Manuscripts & Archives Research Librarian Ellen O’Flaherty.

On ‘The Irish Press’, ‘Celtic Outlook’, and Villanova digital

A May 6, 1922, editorial page notice in The Irish Press informed “friends and subscribers” the Philadelphia weekly was suspending publication “after having withstood heavy financial loss for the past four years.”[1]”Notice To Our Friends And Subscribers“, The Irish Press, May 6, 1922.

Joseph McGarrity

Tyrone-born Joseph McGarrity, who became wealthy in liquor wholesaling and real estate, launched the paper in March 1918 as the U.S. Post Office, “yielding to British diplomatic pressure,” banned the New York-based Irish World and Gaelic American from the mail due to war-related suspicions of espionage.[2]Dennis Clark, The Irish in Philadelphia: Ten Generations of Urban Experience, Temple University Press, Philadelphia, 1973, pgs. 151-52.

“The Irish Press will be an Irish Ireland journal, and its support will be given to all movements having for their object the national regeneration of Ireland,” the paper’s first editorial stated. “It will support everything that deserves support and will criticize everything that deserves criticism.”[3]”The Irish Press, An Irish National Newspaper and Review” The Irish Press, March 23, 1918.

Circulating his paper in New York was more than a business opportunity for McGarrity. His move signaled forthcoming division inside the U.S.-based Clan na Gael and Friends of Irish Freedom. In particular, the Irish Press competed with John Devoy’s Gaelic American “as the voice of the militant exiles.”[4]Terry Golway, Irish Rebel: John Devoy and America’s Fight for Ireland’s Freedom, St. Martin Press, New York, 1998. p. 261.

Patrick McCartan edited the Irish Press from its launch through the Sept. 11, 1920, issue. He and McGarrity were staunch supporters of Éamon de Valera. The newspaper published de Valera’s bylined pieces about Ireland during his June 1919 through December 1920 U.S. tour.

Unsurprisingly, Devoy celebrated his competitor’s fate. “Joe McGarrity’s Irish Press has gone to Davey Jones’s locker,” began the Gaelic American’s editorial. After five paragraphs of re-hashing old grievances with the rival publisher and arch enemy de Valera, Devoy concluded:

The Irish Press has been a wasp in the Irish beehive, and its death is a distinct gain. It is only one more evidence of the disintegration of De Valera’s Split, which will soon be only an evil memory.[5]”Exit The ‘Irish Press’ “, The Gaelic American, May 13, 1922.

Name plate from first issue.

This later proved incorrect. Three years after Devoy’s 1928 death, De Valera launched The Irish Press daily in Dublin. A year later, he regained power as taoiseach, or prime minister, of Ireland. He dominated Irish politics for most of the 20th century. His newspaper folded in 1995.

Celtic Outlook

In its last issue, as it began doing in December 1921, the Irish Press reminded readers to watch for a new quarterly magazine, The Celtic Outlook, “devoted to Irish art, science, and literature.” Earlier notices promised “the first number will be issued at St. Patrick’s Day 1922.” The last issue said the magazine was “now in the hands of the printer.”[6]”The Celtic Outlook” advertisement, separate from the editorial page notice, The Irish Press, May 6, 1922. The first issue finally published later that summer.

The Catholic Standard and Times, Philadelphia’s diocesan weekly, in August 1922 reported the magazine’s first issue included these contributions:

  • “Story of the Irish Music Revival” by Carl G. Hardebeck
  • “Pages of Irish History” by George Sigerson
  • “Ballad of Twenty-one” and “Irreconcilables” by Garrett O’Driscoll
  • “Dramatic Ideas In Ireland” by Peter McBrian
  • “Animal World In Ireland” by Douglas Hyde
  • “Egan O’Rahilly” by Daniel Corkery
  • “Ulster and America” by Francis Joseph Bigger
  • “Labor and the Republic” by Aodh de Blacam (Harold Saunders Blackham)

The Standard and Times reviewer wished the new journal “a long and inspiring career.”[7]”Busybody’s Corner” column, The Catholic Standard and Times, Aug. 19, 1922. How long The Celtic Outlook survived is unclear. Such publications are notorious for short runs. Digital newspaper databases of Philadelphia’s secular dailies do not return mentions of the magazine.

I welcome any information from readers who know more about this publication.

Thanks Villanova

Villanova University’s Falvey Memorial Library digital archives makes available the full four-year run of the Irish Press, March 23, 1918 to May 6, 1922; the Gaelic American from 1903 to 1924 (some issues are missing); and select issues of the Catholic Standard and Times, 1913 to 1922, with ongoing digitization.

The Joseph McGarrity Collection contains personal papers, books, photos, and ephemera. The university’s Digital Library contains many other resources.

The Villanova digital collections have been (and will remain) a valuable resource to my American Reporting of Irish Independence series, now more than 100 posts about the revolutionary period from the December 1918 elections forward. Digital archives such as this are regularly adding new content and have become an increasingly important research tool. This would have been true without COVID-19; it has come into even sharper focus because of the pandemic.

I am especially grateful for the newspaper collections. Rare is the time I review an issue looking for a specific item that I do not see something else of interest. I am grateful to the writers, editors, and others who originally produced these papers, and for institutions such as Villanova University for making the content so easily accessible today. Thank you.

References

References
↑1 ”Notice To Our Friends And Subscribers“, The Irish Press, May 6, 1922.
↑2 Dennis Clark, The Irish in Philadelphia: Ten Generations of Urban Experience, Temple University Press, Philadelphia, 1973, pgs. 151-52.
↑3 ”The Irish Press, An Irish National Newspaper and Review” The Irish Press, March 23, 1918.
↑4 Terry Golway, Irish Rebel: John Devoy and America’s Fight for Ireland’s Freedom, St. Martin Press, New York, 1998. p. 261.
↑5 ”Exit The ‘Irish Press’ “, The Gaelic American, May 13, 1922.
↑6 ”The Celtic Outlook” advertisement, separate from the editorial page notice, The Irish Press, May 6, 1922.
↑7 ”Busybody’s Corner” column, The Catholic Standard and Times, Aug. 19, 1922.

The colorization of old Ireland

Life happens in color, but photographic documentation of it once occurred primarily in black and white. The limits of 19th and early 20th century monochrome technology prompted the simultaneous development of colorization techniques, which were applied to the original images of people, places, and events. Hand-tinted photochromes of Irish landscapes, an early tourism marketing tool, are a good example.

Advances in digital technology over the past few decades have enhanced and expanded the colorization of historic black and white photos and films, sparking debates about the manipulation of the original source material. Irish historian Diarmaid Ferriter wrote:

Whether colorizers spend minutes or hours working on a photo, there is an element of guesswork and computer programs and historical context can be uncomfortable bedfellows. The pictures that were taken at any moment in time were the pictures as the takers saw them; what those working with a 19th-century camera saw, in color, can be far from the same as what a colorized photograph becomes in the 21st century.[1]”Colourisation undermines the essence of old photos“, The Irish Times, Oct. 29, 2021.

Children in Feothanach, Co. Kerry, 1946, from the National Folklore Collection.

These debate are unlikely to be settled soon, and I will not attempt to resolve them here. Engineer John Breslin and historian Sarah-Anne Buckley, who have collaborated on the books Old Ireland In Colour (2020) and Old Ireland in Colour 2 (2021)[2]Offered and provided to me by a representative of publisher Merrion Press, County Kildare. view their efforts “as part of the democratization of history, a tool to develop empathy and a connection with the past while the original photograph remains intact  … drawing attention to the existing collections as opposed to replacing them in any way.”[3]”Introduction” of Vol. 2 (‘democratization’) and Vol. 1 (‘drawing attention’).

The two Old Ireland volumes contain nearly 330 images, which range from just before the Great Famine to the outbreak of the Troubles in Northern Ireland. The photos are arranged in broad categories “driven by public interest in the history of Ireland and the Irish–particularly the history of the Irish revolution, social and cultural history, gender history, the history of the Irish abroad, and images of Ireland’s beautiful landscapes and streetcapes,” the authors write.

Irish Travellers at Loughrea, Co. Galway, 1954. National Library of Ireland Collection. This image appears in Vol. 1.

Many of the black and white originals will be familiar to even casual students of Irish history: the General Post Office, Dublin, after the 1916 Rising; rifle-carrying anti-Treaty IRA men striding down Grafton Street in trench coats and fedoras; the battering ram brigades of Land War evictions; the RMS Titanic leaving Belfast; and famous figures such as ‘Jack’ Alcock and ‘Teddie’ Brown, Edward Carson, Michael Collins, James Connolly, Tom Crean, Éamon de Valera, John Devoy, Maud Gonne, Lady Gregory, ‘Mother’ Jones, James Joyce, John F. Kennedy, ‘Jim’ Larkin, Terence MacSwiney, Constance Markievicz, Charles Stewart Parnell, Peig Sayers, Oscar Wilde, and W.B. Yeats.

In an example of how easily errors are introduced to any historic work, the famous photo of de Valera and Devoy, joined by John W. Goff and Judge Daniel F. Cohalan at the Waldorf Astoria Hotel in New York City, is incorrectly dated to March 1919 in Vol. 1. But Dev was still on the run from his month-earlier escape from Lincoln Prison. This hotel photo was taken in June 1919, within days of Dev’s arrival in America. Old Ireland sources the photo to the Library of Congress, which uses the incorrect date from Flickr Commons.

Colorization gives Dev a green tie, the neckware of the other three are hues of purple. Their suits remain dark and gray.

For me, the real magic of the Old Ireland books are the unfamiliar images of everyday Irish life, either populated by non-newsmakers, such as market scenes, or focused on the country’s natural beauty. I will not list favorites here, since I can’t reproduce them. The images invite viewers to linger and notice the details: shoeless children, absent power lines and automobiles, minimal commercial signage, the harmonious cohabitation of people and animals.

It’s worth remembering here that the French women Marguerite Mespoulet and Madeleine Mignon created the first color photographs of Ireland in May/June 1913. Their 73 autochromes suggest the Old Ireland collaborators have faithfully, if not flawlessly, recreated what century-ago photographers viewed in their cameras and captured in black and white.

Old Ireland in Colour are lovely gift books. If there is a Vol. 3, I’d love to see colorized images of Kerry’s famous Lartigue monorail, from the Lawrence Collection, National Library of Ireland, such as below. Buckley provides enough details to inspire further historical exploration … or a trip to Ireland. Because the true colors of Ireland are best seen in person.

The Lartigue monorail in Kerry opened on Leap Year Day in 1888. The line closed in 1924.

References

References
↑1 ”Colourisation undermines the essence of old photos“, The Irish Times, Oct. 29, 2021.
↑2 Offered and provided to me by a representative of publisher Merrion Press, County Kildare.
↑3 ”Introduction” of Vol. 2 (‘democratization’) and Vol. 1 (‘drawing attention’).