Tag Archives: Achill Island

Letter describes ‘extraordinarily beautiful’ Achill Island in summer 1923

(This post marks our 12th blogiversary. Thanks for your support. MH)

Chester A. Arthur III, grandson of the late 19th century U.S. president, and his wife, Charlotte, lived in Ireland for several years beginning in 1922.[1]The couple married in June 1922 in England, then honeymooned and settled in Ireland. The also traveled to other parts of Europe and back to the United States. Chester was bisexual, including affairs … Continue reading Chester supported anti-treaty republicans in the Irish Civil War. He wrote letters to the editor and longer pieces about Ireland for U.S. newspapers.

The American couple befriended Irish nationalists Darryl and Millie Figgis. The Irish couple in 1913 had bought a small house and some land at Pullagh, Achill Island, in County Mayo, a place to escape the noise and grime of Dublin. That became more true during the ensuing decade of revolutionary violence. The Arthurs arrived as the Figgis’ guests in July 1923. Chester, then 22, described their “cozy little cottage by the broad Atlantic” in a letter to his mother.[2]From the large collection of Arthur family papers at the Library of Congress.

Lightly edited selections of his descriptions begin below the photo:

Achillbeg, Achill Island                                                                                                                                         Fáilte Ireland

“Although there is not a tree within miles, the huge cliffs, the golden beach, the heather purple hills and the turquoise green sea make this place one of the most extraordinarily beautiful I have ever seen. And here of course is the real Gaeltacht, the real Ireland unanglicized and pagan. Each family builds and repairs their own stone whitewashed walls and their own barley thatch. They are self-supporting, their clothes are hand-made from the sheep’s back to their own; they cure their own hams, grind their own oatmeal, brew their own poteen, and catch and dry their own fish.

“Irish of course is the language spoken and sung in plaintive harmony. The men wear short white jackets and big black hats; sometimes the sweater underneath is blue and sometimes burned orange (both dyes are taken from the sea). Their trousers are of the thick homespun which in England is only worn by gentlemen. The women sit behind them sidewise on the horse’s rump when they go to Mass. Their skirts are usually brilliant red, their bodices either green, blue or purple; the shawls over their heads are always black. They have very wide high cheekbones, rather delicately chiseled straight noses, and straight black or red hair. Their long eyes are almost always very beautiful, every color that the sea takes on incites moods. If they do not know you they are very shy, but after the ice is broken, they prove very witty and amusing.

“A cèilidh[3]A social gathering with singing, dancing, and storytelling. was gotten up in our honor. The Figgis’ are very popular here. Almost the whole village crowds into a small cabin and after a few songs the four most enterprising young men get out in the middle and beckon the four belles for the square dance. They clog and whirl themselves a space in the crowd, which packs up against the walls. The room gets very hot, the clean healthy sweat from the dancers fill the air with a primitive very stimulating aroma. Eyes begin to gleam; queer little stifled cries burst from the boys as they stomp and whirl around and around their partners, who turn and turn and command respect with their eyes, yet invite and call with every essence of their bodies. And all the time the fiddle is scraping away music thousands of years old, rhythm inconceivably quick and throbbing, yet in minor key, and with a queer bagpipe drone making almost a syncopation of discord; the very heart of the stranger beats in time to the little lame boy’s fiddling.

“Now as I write, I gaze out of the little deep set window across the boggy headland, where the old women are gathering peat, across the sea, which like a great cruel gray cat lies between the violet mountains, and purrs as its sleep. The wind is keening the drowned fishermen whom the grey cat has struck with his claws. And every now and then the wind dies down, in a flash of sunshine, the cat opens his long green eyes and looks at me; but always dozes off to sleep again.

“The wind is never still here. Sometimes it only moans and cries a drone to the seagulls’ piping; but then at other times it rises with the force of a hundred djinns (In Arabian and Muslim mythology, an intelligent spirit of lower rank than the angels) and carries away the roof of the houses however securely they are tied it to the imp-headed beams sticking out from the walls near the top. And then the people pray, some to God the Father, and some to Manannán,[4]Celtic sea god. and some to both—it is all the same, for they will have in any case to rob the cow of her barley straw, and weave a new thatch, and try some new device to keep it on. But sometimes the winds work under the slates of the new British built houses, and slates go flying over the bog and over the grey cliffs into the sea; then what glee among the natives that the newfangled roofs are really no better than the roof their fathers taught them to make, only when they do fly off  they cost twice as much and take twice as long to repair. …

“A fisherman was drowned the other day. The sea was dragged with grappling hooks, prayers were offered up for the recovery of the body for burial in holy ground. All Christian means having failed, the dead man’s coat was sent for. After it had been blessed by the priest, an incantation was whispered over it preserved from Druid days, and then it was taken out and thrown into the sea. The swift current bore it along until suddenly it seemed to resist the force of the current and rested still. The sea was dragged and just under the coat the man’s body was found, and great thanks were given up to God.

“… The lad[5]Presumably, D. Figgis. and I go on expeditions up the mountains and fishing on the sea. We swim twice a day, so we don’t care that there are no bathtubs. Charlotte and Mrs. Figgis accompany us whenever they can and keep each other company except at mealtime when they marvel at the quantity we eat. No life could be healthier than this, certainly. We are so tired at ten o’clock that we go to bed and right to sleep though it is still very light.

“I am certainly going to have a cottage on this wild west coast of Ireland to which I can go in retreat from the roiling of the great world. Everything here is primitive and oh so restful and refreshing after New York and Dublin. Real communism exists as a matter of course here, for the people love each other. Love and hard work and a close touch with nature, what more ennobling can be found in life?”

Not long after their visit to Achill Island, Chester and Charlotte Arthur witnessed the August 1923 arrest of Éamon de Valera at a campaign event at Ennis, County Clare. Within the next two years Millie and Darryl Figgis each committed suicide. The Arthurs divorced in 1932.

Keem Beach, Achill Island.                                                                                                                                  Fáilte Ireland

References

References
1 The couple married in June 1922 in England, then honeymooned and settled in Ireland. The also traveled to other parts of Europe and back to the United States. Chester was bisexual, including affairs with Irish republicans. See Maurice J. Casey’s, “A Queer Migrant in the Irish Civil War.”
2 From the large collection of Arthur family papers at the Library of Congress.
3 A social gathering with singing, dancing, and storytelling.
4 Celtic sea god.
5 Presumably, D. Figgis.

‘Banshees of Inisherin’ & the Irish Civil War

The Banshees of Inisherin, a dark comedy about the estrangement of two friends living on a sparsely-populated Irish island, has received three Golden Globe awards and now appears favored to win a few Oscars. Colin Farrell won in the best comedy actor category, and the Martin McDonagh-directed film was honored as best comedy/musical and best screenplay. (Update: The movie was blanked at the Academy Awards.)

The fictional story, set in 1923, contains several references to the real life Civil War on the nearby mainland. The war started soon after Ireland won a measure of independence through a treaty with the United Kingdom. Ireland became a “free state” similar to Canada, not the full “republic” fought for in the Irish war of independence, 1919-1921. Separate legislation created the political partition of Ireland and Northern Ireland, which remained part of the U.K. The treaty split Irish brothers-in-arms into the civil war, which lasted from June 1922 to May 1923.

As Vox’s Alissa Wilkinson wrote, the feud between the two movie friends Colm (Brendan Gleeson) and Pádraic (Farrell) “works on its own terms, but it’s also a startlingly violent fight between men who are basically brothers, a fight that has a logic to it and yet is heartbreaking precisely because of the depth of history between them. It’s the conflict in microcosm.”

I would add two points:

1) The screenplay does not suggest that one of the friends is a republican “irregular” opposed to the treaty and the other a Free Stater who supported the deal. Their feud is personal, not political.

2) Pádraic says he doesn’t know what the fighting is about on the mainland. Though presented as a “dull” and uneducated character, this could be the film’s biggest fiction. When explosions and gun fire can be heard across the water, the island’s inhabitants surely understood what the fighting was about. We see regular boat service bring mail, supplies, and a priest to celebrate mass and hear confessions. The islanders are not that isolated.

  • Quick aside: the real life film locations are Achill Island, County Mayo, and Inishmore, one of the three Aran Islands, County Galway.

At one point in the movie Pádraic looks at the calendar and realizes it is April 1. He wonders if Colm’s coldness is a cruel April Fools’ Day joke. It is not. Using the date as a marker, I found this description of the civil war in that day’s 1923 issue of The Boston Globe:

Tragedy is still monarch in Ireland, more firmly enthroned today than ever before in the country’s distressful history. The daily chronicle is a repetitive catalogue of outrage and destruction, of executions and killings, differing only from the world horrifying reign of the English ‘Black and Tans’ in the fact that the perpetrators are now exclusively Irish, and that Ireland’s present day Calvary is inflicted not by foreign invaders but by her own sons and daughters. It is a heart-breaking, tear-compelling experience for an American, particularly one of Irish ancestry … The staccato of machine guns, the ping of rifles, the phut of revolvers, detonations of land mines and bombs, the glare of incendiary fires, with their toll of life and property have become as routine as the succession of day by night. Twenty-four hours without a series of destructive incidents or outrages would be regarded almost as epochal.[1]”Former Boston Journalist Wonders If Gov Al Smith Couldn’t Help Ireland Find Happy Bridge To Peace”, The Boston Globe, April 1, 1923.

Colin Farrell, left, and Brendan Gleeson.                                                                                            Searchlight Pictures  

References

References
1 ”Former Boston Journalist Wonders If Gov Al Smith Couldn’t Help Ireland Find Happy Bridge To Peace”, The Boston Globe, April 1, 1923.

Surf and turf: Beach reappears as wildfires spread

These two environmental stories caught my eye:

Dooagh Beach is back! The strand on the west side of Achill Island, Mayo, disappeared 33 years ago during a storm.  Now, a “freak tide” has deposited hundreds of tons of sand where for more than three decades there has been nothing but rocky tide pools.

This Smithsonian.com story links to other coverage.

Meanwhile, The Irish Times reports that 30 to 40 gorse fires are raging across the country. The majority of the fires are burning around the Border area and Roscommon and Sligo, but the most significant blaze is in Cloosh Valley in Galway, according to the Times.

The beach is back. Image by Sean Molloy/Achill Tourism Via Reuters.