County Kerry native Elizabeth Stack became executive director of the American Irish Historical Society in New York City in February 2024. The previous six years she was executive director of the Irish American Heritage Museum in Albany, N.Y. Before 2018, Stack taught Irish and Irish American History and was an associate director at Fordham University’s Institute of Irish Studies. She completed her PhD at Fordham, a Jesuit research university in the Bronx, N.Y. This Q & A was conducted by email as Stack approached her upcoming first anniversary of leading the 127-year-old organization. MH

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AIHS was closed for several years due to financial and legal problems, in addition to the COVID pandemic. New York Attorney General Letitia James appointed you and others to an interim board to right the foundering organization. Since your appointment as executive director AIHS’s has reopened its Fifth Avenue building and hosted many events. Give us your assessment of your first year. What are your successes? What still needs to be done?

ES: My first year as executive director has been an exciting and rewarding experience, though not without its challenges! The primary goal has been to re-establish the Society as a vital resource for the New York public, and I am proud to say that we are making significant strides toward that. In our first year, I hosted 63 events, both in-person and virtually, covering a diverse range of topics. These events have not only sparked enriching conversations but have also helped us begin to build a thriving community around the Society.

We had to almost start from scratch – we have a new website and are undergoing a new membership drive. We post daily on social media, and have answered queries from researchers, while also opening the building for tours. It was necessary to hit the ground running, and also try to assess the archives, do necessary maintenance on the building, and get the infrastructure back up. But I felt it was important that the Society was seen to be active again as quickly as we could be.

We are committed to making the AIHS a place where people feel welcome to learn, share, and connect. Our goal is to ensure that our doors are always open, and that the Society serves as a space for both education and community engagement. While we’ve accomplished a great deal in our first year, there’s still work to be done. This year we will continue to expand our programming, strengthen our partnerships, and build on the foundation we laid in 2024.

Some specific plans or scheduled events for 2025?

ES: We are kicking off 2025 with a talk on ‘The Rise and Rule of Eamon De Valera’ with David McCullagh, RTE journalist, on Jan. 14. De Valera’s personal and political connection to New York makes it a fantastic discussion to kick off the new year.

We’re also excited to host a fantastic exhibition from Ireland’s Great Hunger Museum of Fairfield at the Society from January to May. The exhibition showcases a powerful mix of historical and contemporary artworks that dive into the lasting impact of the Irish Famine. It’s a great opportunity for visitors to connect with themes of loss, cultural erosion, and the devastation of that time. Plus, we’ll be holding several talks throughout the five months, exploring both the exhibition and the broader history of the Great Hunger.

We’ve also got some exciting events coming up in collaboration with Irish universities and cultural organizations. These events will help strengthen the academic and historical connections between Ireland and the United States, offering a great opportunity to deepen our shared understanding.

We intend to celebrate the 100th anniversary of the publication of The Great Gatsby in April as well as the 1916 Rising. I am hoping that this year we can utilize more of our own archives when telling these stories, and I plan to host more talks on the history of the Society and its holdings.

Any surprises from your first year at AIHS that you can share with our readers?

ES: The most unexpected challenge I’ve encountered during my first year at AIHS is the complexity of managing such an iconic building. While the grandeur of our mansion on 5th Avenue, right across from the Met, is truly breathtaking, it comes with its fair share of obstacles. The size and age of the building brings significant operational costs, and the maintenance required to preserve its historical integrity is no small task. Our technology is subpar and there are various physical limitations to what we can do here. It’s been a constant balancing act.

There have been numerous columns written on both sides of the Atlantic about the “end of an era” for traditional U.S.-Irish relations and Irish American identity. These pieces are usually pegged to the end of Joe Biden’s presidency, the secularization and modernization of Ireland, the growing diversity of Ireland and Irish America. As an historian as well as AIHS director, what are your thoughts about the transatlantic relationship (political, social, etc.). How would you describe contemporary Irish America? What is the role for the AIHS in the twenty-first century compared to its founding in the late nineteenth century?

ES: Irish American relations have always evolved, and while it’s true that we’re seeing some shifts today, these changes are part of a long history of adaptation and growth. The AIHS has always played an important role in this dynamic relationship, from being involved with the Irish independence movement in the early 20th century, through to collaborating with Irish and Irish American academics and artists, and we continue to do so today. We have strong ties with key organizations like the Ancient Order of Hibernians, the Emerald Guild, the Friendly Sons of St. Patrick, the Emerald Isle and other immigration centers, and the Irish Repertory Theater, which serve as pillars of the community and help preserve our cultural heritage – and we are supported by the Irish Consulate too.

Despite the decline in emigration, Irish America remains vibrant and influential. Our membership demographic is probably mostly among the older generation, but I do want the Society to also engage with younger Irish Americans and recent immigrants. Many of today’s immigrants are educated and working in business or finance and technology, and they come from a different Ireland, so the old touchstones of the Irish story are maybe not as relevant for them. Ireland has undergone a remarkable transformation, and this shift is undeniably positive, although I think there is sometimes a sense of sorrow among the Irish Americans about how much Ireland has changed in the last twenty years or so.

The image of the poor Irish is firmly in the past. Today, Ireland’s global standing has strengthened, with over 500 Irish companies thriving in the U.S. alone and Ireland ranking as the 9th largest investor in the country. This reflects the nation’s newfound prominence on the international stage, particularly in sectors like business, technology, and culture. And in a post-Brexit world as the entire island of Ireland interacts with Europe and America, we are very proud to partner with Queen’s University and Ulster University on various talks and seminars.

In the arts, we’re seeing exciting developments too. Irish actors, musicians, and artists continue to make waves, and one of the most compelling examples is the success of Irish rap, especially groups like Kneecap. We also celebrate the global reach of Patrick Radden Keefe’s Say Nothing, which was adapted into a TV series. As a historical institution, this is something we are especially proud of, as it brings attention to critical chapters of Irish history and culture. Academics and journalists are tackling complicated subjects like the Magdalene Homes and adoption out of Ireland, and how Ireland is dealing with its own immigration experience, so the conversations we are having are dynamic and inclusive.

All of these developments suggest that the relationship between Ireland and the U.S. is not only changing but thriving, and it’s for the better. As we move forward, the AIHS must adapt and embrace these changes, helping to forge a new identity for Irish America in the 21st century. We’re here to celebrate that evolving relationship, while also carving out our own place in it—preserving the rich history of Irish immigration while embracing the future of Irish American cultural exchange.

Do you have any time for your own research? What topics of Irish or Irish American history most interest you these days?

ES: My primary research interest centers around immigration, particularly Irish emigration patterns. I am deeply interested in exploring how Irish emigrants shaped American society, both during their initial arrival and in the long-term. One of the key aspects I wrote about is the Immigration Act of 1924, which imposed strict quotas based on national origins and had a lasting impact on Irish immigration. The law drastically changed the landscape of U.S. immigration policy and is crucial to understanding the Irish experience in America during the early 20th century.

The Great Hunger is another area I’m still really interested in, especially having read recent works by Cian McMahon, Tyler Anbinder, and Anelise Strout. I’m particularly focused on how the famine and the resulting wave of emigration profoundly impacted the Irish American community. Charity, particularly how it was mobilized by Irish American communities to support both new immigrants and the broader social fabric, is another area of interest. I’m exploring how the Irish American community’s experiences as immigrants led them to advocate for others, and how attitudes toward immigrants in American society have evolved over time. I’m fascinated by the anti-Catholic rhetoric of the nineteenth and early twentieth century, but also, I want to look at Irish American attitudes to other immigrants in more recent years. Lastly, American support for Irish independence is another area I would like to concentrate on, especially given the archives we hold here on De Valera’s visit in 1920 and the Friends of Irish Freedom.

Through my work at the AIHS, I’ve been able to rekindle my passion for these topics, and I look forward to continuing to explore the historical and contemporary impact of Irish immigration on both sides of the Atlantic.